I’ve spent more than a decade behind the camera on a wide range of documentary projects — from intimate, character-driven stories to complex, multi-camera productions. My approach is rooted in observational cinematography, capturing moments as they unfold, finding visual rhythm in real life, and building trust with people on the other side of the lens.

In addition to my work in traditional documentary, I’ve shot extensively in unscripted television — serving as both Camera Operator and Director of Photography on fast-paced, vérité-style productions, competition shows, stage shows, and more. That experience sharpened my ability to anticipate moments, stay agile under pressure, and craft compelling visual stories in real time. While the formats may differ, the instincts carry over: staying attuned to human behavior, composing with purpose, and letting the camera become a quiet observer.